
Recently my wife and I watched
Superman Returns. We both enjoyed it immensely, but I always know going into these types of movies that my wife may have trouble suspending her disbelief. She often says that movies that feature fantastic themes, for example, like an invincible flying man, are simply
unbelievable. "How can you enjoy a movie like that," she will ask, "when Superman could never exist in the real world?" Hence I often view movies like
X-Men 3 all by my lonesome.
In one sense I understand her objection perfectly. As I mature in my years I can see the attraction of putting fantastic stories to bed. Isn't there something a little silly about spending (1) two hours of your life and (2) a not insubstantial sum of money to watch movies where explosions happen in the vacuum of space (Star Wars), a woman can control the weather with her mind (X-Men), or the well-being of nations depends on the fate of a little magic ring (Lord of the Rings)? You don't often see seventy-year old men going to a Spider-Man movie, so I take this to be a near universal aspect of individual maturation.
But should it be? I remember reading Roger Ebert saying that he couldn't fathom a college-educated adult paying money to go see a movie like
The Mummy Returns. This seems a little rash, if not more than a little uppity, but I confess that I often find a similar desire creeping in on my consciousness to repudiate fantastic stories. When this happens, I am forced to make a decision: determine whether such stories are worth consuming or whether they aren't. On one side of the argument there is this nebulous, unformed idea that somehow a mature person shouldn't waste time watching superhero movies. On the other side there is, among other things, the fact that I actually enjoy these types of movies and stories. And I find that I am like most people in that I enjoy enjoying what I usually enjoy.
So what is the maturing geek to do? There are two options. First, I could show that there is actually a great deal of redeeming value in such tales, that at their core they are mythical stories which use a fantastic husk to press home the kernel of a traditional moral theme. I could point out, for example, that Spider-Man is all about the universal difficulty that young people encounter when faced with new responsibilities in a hostile world, or that X-Men uses superhero trappings as a social commentary on civil strife, or that Star Wars is both a cautionary tale about the seduction of absolute power and a redemptive tale about the power of family relationships.
On all this I call poppycock. That's because I don't need any sort of defense against the charge that it's silly to believe impossibly fantastic stories. The above arguments for the benefits of engaging in fantasy are all perfectly legitimate, but they are also perfectly unnecessary. To see why, take the standard objection, that there is no redeeming value in consuming
impossible stories. But are they really impossible? I suppose it depends on which
type of impossibility is implied.
Here I apply philosophy in the defense of geeks everywhere. More specifically, I make an admittedly unsophisticated use of
modal logic. For the nonphilosophers out there, modal logic is the study of necessity and possibility. In other words, when we do modal logic we attempt to determine how possibility and necessity work, especially when it comes to propositions and states of affairs. One way we do this is by envisioning
possible worlds. When we are trying to determine the possibility of proposition
p, for example, we determine under what conditions
p would be possible, impossible, necessary or not necessary in possible world
W.
So how does all this apply to watching Superman Returns? Consider again the traditional objection: an indestructible flying man is impossible, so it's silly to watch a movie about him. But is Superman really impossible? Again, it depends on what
kind of possibility is implied. In modal logic we often talk about something that is
logically possible or impossible. It is logically possible, for example that my name is Gerald and I live in Poughkeepsie. Neither of these is actually true (philosophers say that neither state of affairs actually
obtains), but they are not impossible. In other words, there exists possible world
G where my name is Gerald and I live in Poughkeepsie. However, it is not logically possible that 2+2=5 or that a bachelor could be a married man. There is no possible world in which either of these states of affairs obtains.
At this point we ask: is there anything logically impossible about an alien from planet Krypton who draws power from our sun, giving him indestructibility and the powers of flight, laser vision, etc? Certainly not, and this is how you appreciate watching Superman or reading fantasy: you simply point out to the naysayers that there is nothing logically impossible about the events portrayed therein. Certainly it is highly
improbable that a man like Superman could exist in our own world, but there is certainly a possible world out there (we can unsurprisingly call it
S) where the last son of Krypton could exist. Now, if he were called "Logical Contradiction Man" and went around squaring circles and making 1 and 1 equal pi, then the objection would stand, but a man like that wouldn't be much of a superhero.
The trick to making this scenario work is ignoring that, on the normal laws of nature, a being like Superman originating like he does would be highly
improbable, or at least
physically or
biologically impossible. But why would you waste your moviegoing experience thinking about dry philosophical concepts like these? Just make a quick determination that he's
logically possible and enjoy the ride.